Review ~ Trinity of Sin: Pandora

Trinity of Sin Combines Old Myths with New in Pandora
By David Rondinelli

3144808-pandora+01[1]DC’s newest universe-spanning event, Trinity War, gets started with prequel book Trinity of Sin: Pandora. Yes, that Pandora—the one who opened the wrong box. To DC’s credit, they do add some flesh to this heavily referenced myth. The story of Pandora is usually counted among other hero myths, so tying it to the new hero mythos that dominates most of the comic book industry is a marriage made for the pages.

Beginning with a primitive society in prehistoric Macedonia, a peaceful tribe introduces us to Pandora. She finds a golden skull with three eyes. When she holds said skull up to her face, we see hidden beneath her hood a third eye on her forehead. She releases the seven deadly sins, all mutated humanoids (it’s good to have something you can hack and slash at) that consider her their mother.

Emerald city 2012 - new 52.ppt

images[3]After being released into the world, the evils waste no time in making their presence known. They start by destroying Pandora’s village. A council of gods brings Pandora to the Rock of Eternity, where she is shackled with two other guilty parties who all bear some responsibility for the evil now inhabiting the world. They are dubbed the “Trinity of Sin.”

Pandora is scarred on the face (more on this later) and sentenced to a life of immortality. From there, the issue follows her as she scours the globe in different ages to remedy the infection of the seven deadly sins.

phantomstrangerpandora658[1]After most of her pursuits end in brick walls, she begins to take other tactics. When Pandora finds herself in the middle of the Crusades in Antioch, she finally starts leaving behind some of her passive measures. After a chance encounter and some vicious name-calling from the immortal, tens-of-thousands-of-years-old supervillain Vandal Savage on the battlefield, Pandora starts to become more kick-ass; she takes up martial arts on Mount Song and gains knowledge of magic in Flensburg.

The latter half of the issue takes the reader to the present day, in which Pandora takes on Wrath, only to be transported into a dark alleyway. The god who condemned her at the beginning revisits her. He bears a familiar yellow lightening bolt on his chest, much like one worn by a certain big red super hero (Shazam).

The conclusion of the issue shows the god dying as he warns Pandora, “Only the power within can end the curse.” Pandora, daunted at returning to the box, concludes that she must find a power source strong enough to “purge this world of the seven spirits of sin.” A nice close-up shot of a giant red “S” lets fans know just where she’s going to find that kind of power.

Hailed as a “major turning point in The New 52,” I was amped up to hear that the Justice League, Justice League of America, and Justice League Dark would be going blow for blow in an all-out slugfest. Trinity War is being told in six issues spread across the various Justice League and tie-in titles.


Although who will be paired up for this all-out super-rumble is yet to be determined from what is shown in the pages of Pandora, it does allude to a potentially epic story of the various Justice League teams going toe-to-toe with the seven deadly sins or possibly grappling with DC’s version of the mystery behind Pandora’s box.

In this case, the big foes will probably be from DC’s fall event, Forever Evil, touted as “the biggest shock of all” on the last page of Pandora. After all, what better time is there for a villain to take over than when just about every relevant character in the DC universe is fighting each other for reasons that we have yet to know? Despite whatever the dispute is about between the teams, one thing is certain—it’s going to be interesting to see what, exactly, make the teammates turn on each other.

Pandora’s story demonstrates some layers in this prequel issue, though I think she’s a bit of a rip-off of Zealot, one of Jim Lee’s earlier characters from his WildC.A.T.s series. The scars on the face are certainly familiar. However, helmed as the centerpiece of the series, Pandora is a character to watch out for. Regardless, I don’t think readers will need this first tie-in issue to follow the main story. Save your money for when the real war begins.

The Crusty Curmudgeon’s Comic Classics ~ Love Sans Rockets: Looking Back on Jaime Hernandez’s “The Death of Speedy Ortiz”

© 2013 Paradox Productions LLC

Once upon a time there were three brothers named Hernandez who wanted to publish a comic book. And they did. It was called Love and Rockets.

Originally self-published and distributed by the three brothers in 1981, the comic caught the eye of Gary Groth, head of Fantagraphics and publisher of The Comics Journal. Groth was so taken by the work that he struck a deal with the brothers (“Los Bros,” as they later came to be known) to publish their magazine. Ever since, from 1982 to the present, Fantagraphics has been the publisher of Love and Rockets.

If you came to know the strip in its later years, you’d be more than a bit surprised to see it in its original form in those first few issues. There was sci-fi. There was horror. There was also a brother named Mario who contributed to some of those stories. All of these things disappeared (some more quickly than others) until we were basically left with two separate strips by two separate brothers: The Palomar stories by Gilbert Hernandez and the Locas stories by Jaime Hernandez. For anyone arriving late to the party, these two strips would likely be all they know of Love and Rockets.


Review: Sword of Sorcery

By David Rondinelli

Authors: Christy Marx
Artists: Aaron Lopresti
Publisher: DC Comics
Publication Date: 2012-2013

swordofsorcery01After DC’s launch of the New 52 in 2011, they cancelled and added several titles in what were known as the first through fourth waves. Another series of cancellations took place in May 2013, including the ’70s throwback, Sword of Sorcery, vehicle for the revival of ’80s title, Amethyst, Princess of Gemworld.

Younger generations may not know of Amethyst’s place in comics history. A staple character of the ’80s, Amy Winston, everyday teen and all-around girl next door, finds out that she is the long lost princess of an alternate dimension known simply as Gemworld. When she moves from Earth to Gemworld she gets a growth spurt, some short skirts, and magical powers. The character’s main villain was an overlord dressed in Renaissance clothing with a creepy moustache who went by the name Dark Opal.

Civil War seemed to be the underlying theme of the series, as many of the characters in Gemworld regularly fought to take control of the different “houses,” all of which were represented by a certain precious stone.

Amethyst received special treatment with a 12-issue maxi-series, a regular ongoing title, and a few specials and annuals. The character appeared to lose her sparkle as the ’90s rolled around, leaving her in limbo and eventually a footnote in DC’s history. Appearing here and there in some of the crossover events, she made a semi-comeback in The Secret Seven, which was a mini-series that tied into the Flashpoint story event that led to the New 52.

Sword of Sorcery was an even earlier anthology series that was first started by DC in the early ’70s and was mainly a platform for Fafhrd and the Gray Mouser, another title that slipped into obscurity. However, it is the perfect title to reintroduce the character to readers. This high fantasy series brings in a lot of nostalgia for the visually stunning films, books, and television series that were so relevant in the ’80s.

So what can readers make of the re-launch?

Well the title has already been cancelled, if that says anything about the public’s taste. However, the series was fortunate enough to make it to the end of its first story arc, allowing for some closure to Amy’s adventures as opposed to an abrupt ending.

What possibly could have gone wrong? Well for starters, what little story there is takes too long to get off the ground. Further, for the most part Amethyst’s mother makes a more compelling character than Amy/Amethyst. But what feels most disappointing is that Amethyst is a bit short on kick-ass action. It feels as if the creators of this book were under the impression that it would last longer, which might explain the large cast of characters and the slow learning pace that Amethyst takes to become a hero.

swordofsorcery02Writer Christy Marx, best known for her work writing such ’80s cartoons as Jem And The Holograms, Teenage Mutant Ninja Turtles, and G.I. Joe, and her original warrior-women comic Sisterhood of Steel, seemed like a great choice to take the reins on this series since she was such a big part of the ’80s fantasy boom herself.

The art is likewise redeemable, as artist Aaron Lopresti does a masterful job, with seizure-inducing bright colors that reflect the gem-themed world the characters populate.

The updated version of Amethyst makes a valiant effort at taking a more serious tone than the original incarnation. Amethyst’s human identity, Amy Winston, is aged from 13 to 17, “Gemworld” is replaced with the alien planet of “Nilaa,” and characters aren’t named after gems anymore. Further, Marx has posited the series as more of a coming-of-age story than a magical adventure, and the violence is ratcheted up considerably, which could all be seen as pros.

With a bright smile to match even brighter blond hair, Amethyst was essentially an archetype of the non-threateningly beautiful magical good girl, complete with winged horse (see also: She Ra, Rainbow Brite, My Little Pony). Gemworld, too, was a product of the ’80s, following the trope of characters being represented by simple, “girly” objects like colors (Rainbow Brite), desserts (Cherry Merry Muffin and Strawberry Shortcake), flowers (Rose Petal Place), etc.

However, the title just can’t seem to escape a sense of being stuck in the ’80s, which is perhaps why it was so quickly cancelled. She was born during the fantasy and adventure boom of the late ’70s and mid-’80s, and that is where she apparently belongs.

But if you can get past the slightly dated feel, Amethyst does have some good things going for it one being the strong female lead and another the introduction of Amethyst into the DC Universe (see her cool, if brief, appearance in Justice League Dark).

The series unfortunately features something many comic books suffer from, though—an insufferably slow buildup. Marx takes too many issues to introduce characters and get Amethyst into battle. Her warrior mother makes a much more immediate impression.

The latter issues of Sword of Sorcery really take a turn for the better with the introduction of villain Eclipso as a fugitive of Gemworld who was exiled to Earth. The occult anti-hero John Constantine tricks Amethyst into taking Eclipso back to Gemworld, culminating in an intense final fight well worth reading.

beowulfIt is clear that Amethyst is the character DC was looking to revive with Sword of Sorcery, as the other features in the title are utterly forgettable. I don’t even know what the new feature in the latter issues is, but toward the beginning of the run readers were introduced to an updated version of Beowulf. The best thing about this story was the very awesome “wolf” look of the title character. He could be DC’s answer to Wolverine if they could find a way to bring him into the modern fray.

If you’re a fan of Amethyst and want to read more, you can pick up her 600+ page Showcase Presents omnibus edition collecting most of her ’80s adventures. Readers interested in the updated version can still buy the individual digital issues from Comixology or pick up the collected edition, Sword and Sorcery Volume 1: Amethyst, slated to come out in September.

swordofsorcery03If you watch the DC Nation block of television programming on Cartoon Network, you can also catch an anime-inspired form of the character in what feels like a “too little too late” series of magical girl shorts where she takes to short sessions of butt-kicking in a video game-like world.

Still, considering that both the title of the comic and the main weapon used by characters and worlds therein is “sorcery,” the series seems to be lacking the magic that could cast a permanent spell on readers.

Recommended: Minimally, unless you are a die-hard fan of shiny things or the ’80s, for which it is then a diamond in the rough.

The Crusty Curmudgeon’s Comic Classics ~ Superman: Digging for Gold in the Bronze Age, Part III

Superman: Digging for Gold in the Bronze Age, Part 3
More of the Best Superman Stories of the 1970s and Early 1980s

© 2013 Paradox Productions LLC

Welcome to the concluding installment of my coverage of great Superman stories of the Bronze Age. Hope you enjoyed Part I and Part II. Last time, I covered some of Superman’s appearances in other character’s titles and in more esoteric formats (the treasury editions and book-and-record sets). I’ll wrap up here by covering Superman’s appearances in his more regular titles.